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Where Are the European Masters in the Art of Marquetry

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The Wonder of Wood Conference Explores Decorative Marquetry and Inlay

  • Jan 23, 2022 xx:10

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Marquetry panel of a tabular array box, attributed to Gerrit Jensen, London, circa 1685. Courtesy of Burghley House, Lincolnshire.

The Wonder of Woods: Decorative Inlay and Marquetry in Europe and America, 1600–1900 will explore the history and artistry of inlay and marquetry in America and Europe. The conference will occur at both the Philadelphia Museum of Fine art and Winterthur Museum, Garden & Library, April 26–28, 2022.

The Wonder of Wood will bring together 23 exceptional scholars—a creative mix of curators, academics, conservators, artists, and craftsmen drawn from museums and private exercise in America and away. This unparalleled roster of briefing speakers will include two of the world's finest marqueters, Silas Kopf and Yannick Chastang. Never before has such a talented squad come together in the United states to share their commonage expertise with the public.

"Nasturtiums," sideboard buffet by Silas Kopf, 2006. Granadillo and various woods with contumely, copper and shell. Philadelphia Museum of Art, gift of Larry and Mickey Magid, 2018. Photograph courtesy Silas Kopf.

In both inlay and marquetry, artisans employ small pieces of different species of wood to create pictures or patterns on article of furniture. The basic concept has a long and illustrious past. Both traditions existed in ancient Egypt, Greece, and Rome. They were revived during the Renaissance and have flourished ever since.

Over the centuries, the complication of the ornament has varied enormously, from simple bands of light and nighttime stringing that outline the drawers of a plain desk in the 1790s to breathtakingtrompe l'oeil imagery on Dutch and French cabinets a century before. Focusing on the years from 1600 to 1900,The Wonder of Wood will consider an especially rich catamenia in European and American furniture history, when craftsmen produced many of the grandest inlaid objects ever made.

A comprehensive, beautifully illustrated volume, edited by Brock Jobe, professor emeritus at Winterthur; Alexandra Kirtley, the Montgomery-Garvan Curator of American Decorative Arts at the Philadelphia Museum of Fine art; and Steve Latta, craftsman, teacher, and historian of decorative inlay, will provide a lasting record of this groundbreaking conference.

Registration is open.Register online. Space is limited. Access is $375 for the public, $300 for members of Winterthur or the PMA, and $225 for nonprofit employees. A virtual version of the conference will be fabricated available two weeks after the alive issue for $250, and $200 for members of Winterthur or the PMA. Scholarships are available.

Tags: american piece of furniture european antiques


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